Native performance is a multifaceted and changing art form as well as a swiftly growing field of research. Native American Performance and Representation provides a wider and
This volume examines Native performance using a variety of lenses, such as feminism, literary and film theory, and postcolonial discourse. Through the many unique voices of the contributors, major themes are explored, such as indigenous self-representations in performance, representations by nonindigenous people, cultural authenticity in performance and representation, and cross-fertilization between cultures. Authors introduce important, though sometimes controversial, issues as they consider the effects of miscegenation on traditional customs, racial discrimination, Native women's position in a multicultural society, and the relationship between authenticity and hybridity in Native performance.
An important addition to the new and growing field of Native performance, Wilmer's book cuts across disciplines and areas of study in a way no other book in the field does. It will appeal not only to those interested in Native American studies but also to those concerned with women's and gender studies, literary and film studies, and cultural studies.
About S. E. Wilmer
S. E. Wilmer is an associate professor of drama and a Fellow of Trinity College Dublin, and he has served as a visiting professor at Stanford University and UC Berkeley. He is the author of Theatre, Society, and the Nation: Staging American Identities. He is also a playwright and his plays have been produced in venues around the world including New York's Lincoln Center.